Blackstar amp Repair – Series 1-45

Blackstar amp repair

This Blackstar repair was a simple valve amp service before the amplifier was sold. The amp is a series 1-45 2×12 combo. It’s a fantastic 2 channel amp with 4 modes, bright Clean, warm clean, Crunch and Super Crunch.

The amplifier uses Blackstar’s DPR and ISF patents, you can read more about Blackstar’s DPR on my valve amp attenuators page.

The amplifier was performing well, but a test on the valve tester turned up two faulty preamp valves which were replaced. The week before, I’d had another Blackstar amp repair, but as they’re a fairly new brand, I don’t get many Blackstar repairs!

Blackstar amps are one of the many types that I repair, please get in touch if you need my help.

Blackstar Repair – HT40

blackstar-amp-repair

Recently, a Blackstar amp repair was brought to my workshop in Newark. The amp was an HT40 (the Club 40 combo) in working condition, but the owner wanted to try a new set of EL34 power valves in the amp. He selected a matched pair of Tung Sol with slightly higher gain (according to my valve tester) than then outgoing stock Ruby parts.

However, whilst checking the amp over my valve tester highlighted a fault in one of the Sovtek preamp valves, so I’ve replaced this with a JJ ECC83S.

HT-CLUB-40-Repair

There’s an interesting and fairly unusual element in these Blackstar HT amps – they appear to use a transistor Phase inverter (you can see it in the image at the top), so all the 4 gain stages in the 2 12AX7 preamps are used purely for gain in the preamp circuit. They sound great. This unit doesn’t use the DPR circuit that I mention on that page.

Anyone who knows me as a player, rather than a tech will know I’m a bit of a Blackstar amp fan. I play a Blackstar Series 1 50W head (recently upgraded from a heavy Blackstar Series 1 45 combo). I almost bought one of the these HT40s actually!blackstar-valve-amp-bias

If you have a blackstar repair, please get in touch!

Orange Tiny Terror Modification – BS watch! – Ampworks, Newark

Below is an extract from an email conversation with a customer who asked for some impartial advice on a popular ‘mod’. I’ve redacted names, images and product links. I’ve no wish to slander anyone or their products, but I do hope to bring some clarity in a field awash with mis-information. All opinions are my own, if you disagree with something, please do let me know, preferably in a civil manner! Please view this a general piece of advice regarding amp modification, rather than a specific commentary upon this product.

BS stands for ‘bad science’. If you thought otherwise then my apologies, OK? 🙂

Hi Mike,I’ve just commented on the various claims, referencing these photos. There’s a few interesting potential benefits, […] I’ve gone into quite a bit of detail, so I might pop this on my blog so others can find it. 🙂

My modification rule of thumb is that anything that makes less difference than a new set of guitar strings is pointless. I’d say there are two component changes here that may pass that criteria. Firstly, the bias mod will make a noticeable difference, that you may or may not like. If the designer used C7 to shape the amp’s tone, which is likely from the component position, then removing C7 will bring the biggest tonal change to the whole amp. The boutique components are probably BS. 🙁

[image removed, the following italic text is pasted from the seller’s description, my comments are in colour]

CLAIM: Swapping the valves for a full set of new JJ Electronic ECC83S and EL84

AMPWORKS COMMENT: New valves can of course make a difference, you can try this yourself by buying new valves from a reputable supplier (such as me!) Valve changes generally make less difference than a new set of strings. 🙂

 

CLAIM: The cheap push-on heater connectors were dropping too much voltage between the transformer heater wiring and the V3 heater pins.

COMMENT: Probably BS. It’s feasible that the connector contact resistance may drop voltage and hard wired connections are more reliable, but the sensible approach is to replace only if a valve heater actually stops working (maybe after contact oxidation from storage in a damp garage). This will have no effect upon sound.

 

CLAIM: The rubbish heater connectors are removed and the valve heater circuit wiring is completely hard wired. Wire dress was particularly poor.

COMMENT: This means that the heater connections (yellow and black in the photo) weren’t tightly twisted at the factory. Heaters can be a source of hum, twisting the wires reduces the magnetic field created by the high current in the wires. If you have a problem with hum (with no guitar plugged in) then this is useful. If no hum problem, no point!

 

CLAIM: Bias was set too high. Output tube bias is corrected to produce maximum power output.

COMMENT: OK, this is not BS. The tiny terror is cathode biased (meaning it self biases (see my blog page on bias here). But the designers have chosen to set this self bias point quite hot. Because valves are non linear this does make a difference to the sound the amp produces. Whether it’s a change you’ll like is another question. The output stage will be louder and cleaner. You’ll hear the difference more if you play it pretty loud.

 

CLAIM: Preamp voltages were OK in 15W mode, but a bit on the low side in 7W mode.

COMMENT: Probably BS. This means nothing without context. There’s no such thing as an ‘OK’ or a ‘bad’ preamp voltage, unless the valve is pushed outside of it’s performance limits.

 

CLAIM: Components were ordinary commercial grade, nothing special. Critical components in the signal path are upgraded to boutique grade items, including:

  • Mallory 150M Series capacitors, silver mica capacitors

  •  COMMENT: Someday I’ll do a proper scientific comparison of the ’boutique’ cap brands, I’ll try and remember to let you know, I personally  suspect that any change will be very VERY subtle. 🙂 What’s MUCH more interesting is that on his photographs he’s actually removed C7 completely. This is likely to have a MUCH MUCH bigger effect than any brand change. C7 is between the guitar input and the first valve. It looks like that cap was originally connected in series so removing it will change the low end response (assuming the frequency corner was previously set to over 80ish Hz).
  • carbon composition resistors, for a more authentic vintage valve sound.

  • COMMENT: This is an interesting topic investigated quite thoroughly by RG Keen here. . His conclusions show that there may be some extra distortion created by these resistors that guitarists like. However they have to be used properly, not just replaced as a matter of course. RG recommends that they be replaced every few years as they may become unreliable when used in this way. Carbon comp resistors are generally noisier (hissy) than metal film equivalents.

Vintage AC30 repair – 1962 Vox repair

1962 Vintage Ac30 Repair

The guys over at Confetti in Nottingham brought me this vintage AC30 repair. It appears to be a 1962 JMI era Vox model but I’m an amp tech, not an amp historian, so I may be mistaken! It’s definitely an AC30/6 model, only made in smooth black vinyl in 1962. It’s very nice!

The customer brought this to me because they were worried about the amplifier getting very hot. I also noticed that the power cord was damaged and that the amp had a ‘Pin’ style voltage selector common in vintage amp repairs. I always recommend that this is wired out if not already.

The power cord has been replaced and the voltage selector wired to 245 (best match for modern UK), so the switch is now a dummy.

The overheating was caused by leaking reservoir caps which were replaced. Electrolytic caps have a lifetime of about 20 years so leaking caps are common in vintage amps. Faulty capacitors can lead to a much higher current draw through the transformer, overheating it, causing the issues we’re seeing. It also ties in with the internal HT being over 100V too low.
Vintage Ac30 Mains transformer temperature rise
I noticed that the tremelo mode switch had come loose and the resistor wires have sheared at the body of the device. They were replaced using vintage style carbon composition resistors for authenticity’s sake. (Do carbon composition resistors make a difference to tone? According to R.G Keen, The jury is still out!). If you have one of these vintage units, make sure that you keep the switch tight to avoid similar problems.

The amp didn’t run especially hot after the caps had been replaced. The output valves are all matched and measure sensibly, and the amp is cathode biased, so there’s little risk of the output stage being out of spec. I had another vintage AC30 repair in (a cream ’61 model), so I was able to make a proper comparison of the running temperature of the two amps. You can see how close they were in the graph above.

I’m pleased to say that the customer was very happy with the vintage AC30 repair! If you have a Vintage vox, or any guitar amp in need of repair, please get in touch.

Mesa Boogie Bass amp Repair

Mesa Boogie Bass 400+ Repair

This mesa boogie bass amp repair had the highest power valve count I’ve seen. The amp uses no less than twelve 5881 6L6 valves!

Like the recent fender amp repair this valve amp was blowing fuses. Also like the fender repair, the failure was down to a damaged power tube. Two in fact.

Much is made of Mesa Boogie’s insistence upon the use of mesa branded valves on guitar forums and these guys come in for quite a lot of stick. You can read Randall Smith’s defence of the idea here. My opinion is that the principle is reasonable for the majority of non technical users.

In this case, the amp had been fitted with Sovtek valves. Aside from the two failures many of the valves no longer matched well.

By testing mesa boogie valves in my valve tester I know what non mesa valves are within mesa parameters for use in their amps. I could tell that 4 of the sovteks were out of spec, meaning that 6 of the 12 needed replacing. After completing this simple task the amp was fixed.

If you have a mesa boogie bass amp repair please contact me via the contact page.

Valve amp blowing fuses – Fender repair – pro reverb

Fender valve amp blowing fuses

A customer brought this fender repair to me with a common complaint. The valve amp was blowing a fuse every time the standby switch was turned on. A valve amp blowing fuses can be a number of things, but in this case I suspected that the amp probably had a faulty power valve.

This turned out to be true. One of the 6L6 valves had a fault that causes a high current to pass between anode and cathode causing the fuse to blow.

This can occur in all valve amps with all types of valve.  Elsewhere on this blog, there’s a Marshall valve amp blowing fuses that was down to a shorting EL34 valve. There’s also a more recent mesa boogie valve amp blowing fuses.

Once a power valve is replaced, it must be rebiased. I set this fender back to manufacturers spec. Matching power valves should always be used.

If you have a valve amp blowing fuses, please do Contact me for advice.

Ampeg Repair – SVT pro ii

Ampeg-repair-svt-ii-bass-amp

What a huge beast this Ampeg repair is! Weighing in at an incredibly heavy 32kg I wasn’t sure that my workbench would take the strain!

It’s an SVT ii powered by 6 KT88 output valves meaning two massive transformers, owner for three mains and one for the output stage. When both must be capable of 300W continuous, that’s a lot of iron!

The owner was finding that the amp would drop in volume after a few minutes of running. It’s a common problem that I was quickly able to trace back to an oxidation issue, meaning a nice low cost repair for the customer.

If you have an Ampeg repair that needs attention, please get in touch , but you’re carrying it in!

Presonus Repair – Monitor Station

presonus-repair-monitor-station

I don’t often get studio equipment on the bench, so this Presonus repair was a new one for me. The customer was finding that the unit buzzed uncontrollably on all outputs. Experience leads me to test the internal power supply when a noise problem appears all over the unit, in this case, my hunch was correct and the repair was finished in a couple of hours.

Update June 2023: After a few enquiries, I’ve made a DIY capacitor kit available, so you can fix your monitor station yourself. The product info is here.

If you have a Presonus repair that’s causing your home studio pain, get in touch!

MXR Carbon Copy Repair

Carbon-copy-repair

I’ve talked elsewhere (here and here) about Carbon copy repairs and the ESD issue that causes the problem. I’m just going to take a moment to discuss the symptoms that show the problem in the carbon copy pedal.

As I understand it, this issue has been fixed in new production units so if you’re buying, don’t let it spoil your enjoyment of a great little delay unit.

The issue is with the switching circuit. Mxr use a circuit related to the millennium bypass. This is a true bypass circuit that uses clever circuitry to operateb the LED without using a chunky and unreliable 3PDT SWITCH.

If you see a carbon copy that works in bypass mode but doesn’t switch in the effect or illuminate the effect LED then the carbon copy had fallen full of the ESD problem. The modulation LED will probably still work.

I use the same method as the service engineers at MXR in the USA to fix this issue. I replace the faulty components and across each of fit a special component that blocks transient voltages such those caused by static buildup. As I see a lot of these, I’ve started to keep stock of a carbon copy ESD fix kit. The components are less than 2mm wide so it takes an experienced hand to fit them.

UPDATE: 2017

The MXR ESD repair kit is now available for sale at www.rsdsound.co.uk. If you’re an experienced repairer and skilled with SMT repairs then you can purchase this kit. If in doubt, just post it to me and I’ll sort it for you.

http://www.rsdsound.co.uk/product/mxr-carbon-copy-esd-repair-kit/

If you have a carbon copy repair for me, please get in touch. You can drop the pedal in, or post it to me.

Trace Elliot GP7SM Repair

Trace-Elliot-repair-AH350-GP7

A recent Trace Elliot GP7SM Repair, a amp service actually.

The owner brought the amp in for a check over before sale. This is a really beautiful Trace Elliot!

This particular AH350 (from the early 90s) uses the Trace MOSFET output stage, with Lateral type audio FETs. These are expensive, but worth it – the other Trace Elliot Bipolar output stage has some reliability issues that I’ve seen in the past.

This GP7SM was fine though. No problems.

It’s got a really cool optional UV light at the front. I haven’t seen one like this before. Makes the green front panel glow nicely. Great, if you like it!

Available to buy (as of Nov ’14). If you’re interested I’m obviously not going to publish customer’s details, but I can put you in touch.